15.10.08

Wilderness Explored 2/3: Australia's Red Heart

The second film in the "Wilderness Explored" series goes out tonight at 9pm on BBC4.
Wed 15 Oct, 23:40-00:40 60mins Stereo Widescreen
Australia's stark and beautiful red centre is now seen as part of the country's national identity, with Uluru, or Ayres Rock, a national symbol. But this vast desert centre was originally seen as a place of death and silence by the first white explorers. It has taken 200 years for a new perception to emerge, one that recognises it as a place of life and creation - the way it has always been seen by the continent's original inhabitants, the Aborigines.

'Aerial views of the weirdly wonderful Australian interior make this second slice of cultural history a visual feast, as well as brain food. Its a fascinating journey through history, geography, colonialism, climatology, art and , most of all, European and Aboriginal myth.' Radio Times

"..this fabulous series..a superb essay.." Sunday Times

"Glorious documentary ...fantastic." - Guardian

"..stunning footage, great interviews.. an entrancing piece of cultural history" - Radio Times

"Awe inspiring footage..epic stories for an epic landcape" - Daily Mail

"..this excellent series.." The Observer

"..stunning panoramas and expert commentary..unusually evocative'" - The Times

11.10.08

Infrared Cinematography & Night Vision Cameras

Wildlife Film-making Tips from www.pronghornproductions.com
(A Provider of High Definition (HD) Nature and Wildlife Stock Video Footage, Still Images, Nature Books, and Custom Video and Photography Services.)

The outdoors are a totally different world at night. In fact, many if not most wildlife are more active at night. However, the darkness of night is not suitable for normal videography. Fortunately, the nature filmmaker has a couple of options. One is to use a very powerful spotlight to film critters. The downside to such an approach is that many species are frightened by the light, or at the least may not act normally. Furthermore, a spotlight makes for a harsh image and doesn't always convey the feeling of a nighttime shot. A second approach is to take advantage of infrared (infra-red or IR) technology. Essentially, the technology uses a portion of the wavelength that is invisible to us and to most wildlife species. Several camcorders come equiped with infrared technology which is often marketed under names such as "Nightshot" (in the case of Sony camcorders). The downside is that most of these camcorders are designed for the consumer market and they lack important features such as manual focus or they are hampered by small lens in terms of focal length and diameter. There is more professional equipment available, but it can cost tens of thousands of dollars. Here we describe some affordable configurations that should meet many needs for filming wildlife at night or in special situations such as animals in caves, nest cavities, and underground burrows.

As mentioned above, you will need a camcorder with infrared capability. Examples of high definition cameras with infrared capability include the Sony HDR-CX7 and the HDR-HC1 through HC12 models. The Panasonic AG-DVC30 may be the most famous infrared camcorder because it was used in "ghost hunting" television shows; however, it is not a high definition unit. Infrared filmmaking requires not only a camera capable of recording infrared wavelengths (about 830nm or greater), but also an infrared emitter. Although the camcorders come with a built-in emitter, the range is usually rated at less than 10 feet; in fact, image quality drops off after just a couple of feet (the Sony camcorders also come with a "Super Nightshot" mode, but don't use that; while it does gather more light it does so at the expense of shutter speed resulting in jerky motion).

Sony makes an infrared emitter they sell for about $40 (Sony HVL-IRM). Two of the units, one on each side of the camcorder, will give you good lighting as well as usuable video out to about 30 feet. For tight work, such as filming an animal in a burrow or cavity, an infrared flashlight may be all you need. Simply tape the flashlight to the side of the camcorder opposite the built-in LED emitter and you will get good shadow-less lighting. For studio work a panel LED emitter will work well as a key light (you will want a second or third light off to the side to lessen shadows). As for the amount of lighting needed in a situation, its as much art as science. Suffice it to say that you should error on the side of having too much light. Moderate lighting may look okay on the camcorder LCD screen, but once you look at the footage on a HD monitor you will see graniness. In addition, good lighting helps with the autofocus feature on the consumer camcorders. Not surprisingly, you should test your system and look at the footage on a decent monitor before heading into the great outdoors.

Nighttime Infrared Equipment for Wildlife

For longer range work you'll need to buy a powerful infrared emitter or customize a spotlight for infrared work. A Google or EBay search on infrared flashlights, spotlights, emitters, or illuminators will bring up many items. However, take the given range estimates with a healthy dose of skepticism; while the emitters may allow you to see critters that far out with infrared goggles or binoculars, you will only be getting useful wildlife footage at about half that distance. For decent outdoor work you should expect to spend hundreds of dollars for top-end infrared spotlights.

A workable "poor-man's" version is to acquire a superbright spotlight or two and place red filters or gels over them. Good battery powered spotlights can be had from $100-$150. We've had good success with HID (high intensity discharge) lights, but halogen and flourescent lights should also work well (don't use spotlights with LED bulbs has they emit very little light outside of their intended range). An HID spotlight will give you about 60 minutes of lighting from a full charge. Cover the bulbs with a filter that cuts all or most light except for the infrared wavelengths. Frankly, we prefer to have a little bit of red light emitting as it helps to track the animal and wildlife don't appear to be spooked by it. Infrared filters can be purchased from most lighting specialty stores for only a few bucks. You can also buy plastic sheets about 1/4" thick and cut your own filters. We actually prefer the roll sheets afixed to clear plexiglass. That way we can combine sheets to reduce the light or to spread out the beam for a wider angle (by using a diffusing gel on one layer). One word of caution, allow air to circulate between the filter and the lens or you may end up melting your filter or burning out a bulb.

We've afixed two of the spotlights to a board which then sits on top of a tripod. Another board is placed on top of the spotlights as a platform for a camcorder (and it provides additional support for the spotlights). At close range this setup may give you some vertical shadows on top of your subject, but at longer ranges it works fine. A setup like this will get you out to about 50 yards, depending on your target (for dark subjects such as bison it may not extend that far; for lighter animals such as pronghorn antelope your range may be even greater). It is a bit top-heavy so you should use it with a good steady tripod.

Night-time videography for wildlife is a special experience. You see and experience things few people ever do. For examples of night-time infrared video go to www.hdnaturefootage.net and type "infrared" in the search box.

10.10.08

Presenter Interview: Charlotte Uhlenbroek

By Alison George New Scientist
She's been chased by elephants and dragged by chimpanzees. Described as an eco-friendly Lara Croft and the successor to David Attenborough, zoologist and wildlife presenter Charlotte Uhlenbroek is still roaming the world. She stopped long enough to tell Alison George about her life

Have you always lived a nomadic existence?
Yes. I was born in London, then soon went back to Ghana where my parents were living. When I was 5 we moved to Nepal, where I stayed until I was 14, then went to school in England. In the meantime, my family moved to Tanzania, so I would go there on holidays.

Were those years formative in terms of your wanting to work with animals?
In Nepal, during the holidays, we'd go trekking in the Himalayas. Although you don't see a great number of mammals there, it is fantastic for birds, and you get a sense of being in beautiful, wild spaces. My love of the natural world came from those early years.

It must have been a shock to go from Nepal to an English boarding school.
At first I felt like a caged animal. I was used to wandering around barefoot with a whole lot of stray dogs to look after, and then suddenly I was at an all-girl's boarding school where I wasn't even allowed to leave the school gates. It was quite a shock to the system.

You went on to study zoology and psychology. What came next?
I was working as a researcher at the BBC Natural History Unit when I heard that primatologist Jane Goodall was looking for a field assistant. I jumped at the chance, and went to Burundi to help establish a research and conservation project looking at chimpanzees living in fragments of forest right up against human habitation where no one expected they could live. Then I went to Goodall's main site at Gombe National Park in Tanzania to study chimp communication. I lived in a tiny hut near Lake Tanganyika and spent two years roaming the forests with the chimps, recording their vocalisations.

What did you discover about chimp communication?
I was concentrating on the males' long distance calls, and I found that there are at least three acoustically distinct types of calls used in different contexts. The alpha males call much more than the low-ranking males - it is advantageous for a dominant male to keep the males together to protect his group from neighbouring chimps, as he benefits most in terms of access to females and resources. The alpha male often calls in others when he finds a good food supply, whereas lower ranking males are likely to stay quiet so they don't get usurped and lose out on food.

You must have got to know the chimps well.
They become almost like close friends, except of course you don't interact with them so they will continue with their natural behaviour. The chimps at Gombe have been studied for so long that they just ignore you, though occasionally one of the little ones will come over and try to pull something out of your pack. I still keep in touch with Gombe to find out what's happening to the adolescents I once knew.

What's your most memorable encounter in the wild?
I've had endless days with the chimps where I've been blown away, but I've also swum with humpback whales, which was amazing, and been chased by an elephant, which was pretty scary!

Why did an elephant chase you?
I was in the Central African Republic on foot in a bai, or forest clearing, where a lot of animals come for the mineral salts as well as to drink. A female elephant and her calf came out of the forest very close to where I was sitting and talking to camera for the BBC series Jungle. I stayed still, hoping she would carry on past me when she suddenly picked up my scent from about 12 metres away and charged. I don't blame her - there is a lot of elephant poaching in that area so they really fear humans and she was protecting her calf.

For a brief moment I thought I would stand my ground - but made a split-second decision that she would probably flatten me if I didn't get out of her way fast. I managed to get to the shelter of a tree where an elephant researcher and local tracker were and we hid while the elephant crashed about in the undergrowth. She finally decided to go in search of her calf which had run off. That's the only the time I've been filming or researching wild animals and really thought, "This could be it".

It was the one time I really thought, 'this could be it'

Have there been other close calls?
In the field, you have lots of uncomfortable encounters with snakes, or elephants around the camp. I've been kicked by mountain gorillas and dragged down a hill by chimps.

That all sounds pretty dangerous!
I knew they weren't out to kill me. Male chimpanzees put on a display to assert themselves within the community, and this often involves charging through the undergrowth, tearing off branches and sometimes hurling rocks. That time, they incorporated me in the display. Drag a branch, chuck it to one side, charge past Charlotte, grab her ankle, charge down the hillside - they're very strong, so there's not much you can do about it. I knew it was a show of bravado. I came back with a few cuts and bruises, but not badly hurt. The most dangerous situations in the wild are either when you are a potential meal for a predator, or when an animal feels very scared. It was the same with the gorillas - the males were just showing off. It is an adrenalin moment when a large gorilla comes over and flattens you, but I didn't think they were going to kill me.

Now you're going back for more?
Yes, I'm working on a UK television series about primates for Channel 5. I went to Uganda last month to film chimps. Next it will be baboons, gorillas and orang-utans. I want to take the audience right into their society by following some principal characters and revealing what extraordinarily complex relationships they have.

David Attenborough has tipped you to be his successor. How do you feel about that?
It is a huge compliment but quite daunting. David Attenborough is a hero of mine, but I don't think anybody can step into his shoes. He's a one-off.

Your life sounds very glamorous. Is there any downside to your nomadic existence?
Yes, there is, though I feel churlish saying that because of the amazing experiences I've had. But I think as humans we also need the quiet, ordinary aspects of life, we need to be with family and friends - and sometimes that can go by the wayside.

Does that ever make you want to settle down to a desk job?
No, I'll carry on doing what I do, sometimes at my desk writing, sometimes travelling. I don't really look too far ahead.

Afternoon Play: Owls

BBC Radio 4
Friday 17 October, 2008 14.15

This promises a labyrinthine, multi-layered plot about a visit to a Scottish island, an old man reflecting on his life, and a tale of two children trying to escape an abusive situation. Sounds like fun… http://blogs.thestage.co.uk

A fictional story written and narrated by Paul Evans and based on an island legend about a brother and sister who were bound by a wish sworn on a barn owl feather, which in turn became a curse that proved fatal. Recorded on location in Scotland; isolation, human desire and the supernatural are explored in this unsettling drama about the relationship between hope and desire, Man and Nature.

Old man … ………………..Jimmy Yuill
Sister ...……………………..Alyth McCormack
Old man as a young boy…. .David McLellan
Sister as a young girl ……….Michaela Sweeney

WILDLIFE SOUND RECORDIST: Chris Watson

PRODUCER / DIRECTOR: Sarah Blunt

Listen here

7.10.08

Wilderness Explored - The Arctic

8th Oct 2008 9pm on BBC Four


Three-part documentary series telling the stories of early European explorers who reached the wildernesses of Canada, the Congo and Australia.

200 years ago, the Arctic was largely a great blank on the map for would-be explorers. It captured their imagination as a place of sublime beauty and yet also as a desolate frozen landscape, home to the deadly polar bear. It was a place where heroes attempted to find the North-West passage and where whole expeditions disappeared without trace.

In the last century, the polar sea has become a region of vital strategic significance where the great powers built secret bases, transforming the lifestyle of the Inuit. Now, as the Arctic ice melts, the polar bear has become an emblem for the fragility of our planet.


Big Cat Live a Big Hit on BBC One

The launch of BBC1's nightly wildlife series Big Cat Live pulled in more than 4 million viewers last night, Sunday October 5.

The series, for which cameras were placed around Kenya's Masai Mara game reserve, opened with 4.2 million and a 19% share between 6.10pm and 7.10pm, according to unofficial overnight figures.
 
Shakira and her cubs still doing well.
Snapped early this morning.

www.bbc.co.uk/bigcat

6.10.08

Live lion kill on BBC Big Cat Live webcams

Watch Big Cat Live episode 1 again on iPlayer: www.bbc.co.uk/programmes/b00dykqr
Join the Big Cat team on Facebook and Twitter.



The BBC believe this is the first live lion kill broadcast on the internet. Recorded at approximately 16.15 BST, 3 October 2008.

3.10.08

Timewatch: Britain's forgotton flood

SATURDAY 4TH October
Four years ago two scientists led a Timewatch investigation into whether or not a tsunami could have struck England in 1607. Two weeks after we completed the film, the world was stunned by the Asian tsunami, making their work even more pertinent.The same team believe they may have discovered a whole series of forgotten British tsunamis – does this mean the risk to Britain is much greater than we think?
Radio 4's Vanessa Collingridge goes on a journey of discovery around the British coastline to find out.

http://www.bbc.co.uk/timewatch/

Wildlife on CBeebies & CBBC

Little Big Cat
Monday 6th October - Friday 17th October
Cbeebies channel at 09.00, 12.00 & 17.10 as part of an African themed fortnight to tie in with BIG CAT LIVE!

Watch the Trailer:


Wild about Animals

CBBC on BBCtwo - 07.35 Monday - Friday until Wednesday 22nd October

Sam and mark's Guide to dodging Disaster
THURSDAY'S 16.30 CBBC CHANNEL weekly until Christmas day!
first episode yesterday - catch it on iplayer

We're Going 'Big Cat' wild here at The NatureWatch.

It's the heat of the day here in Kenya. So far we've had lions, hyenas, elephants, zebras and lots of others, regularly on the web cams.
http://www.bbc.co.uk/­bigcatlive

The story team are watching the cams and on the messageboards around the clock.
http://www.bbc.co.uk/dna/mbsn

New videos are live including an interview with Simon King and Chris Howard's latest Camp Reports, with a look through the lens of a the thermal cameras.
http://www.bbc.co.uk/bigcat/­video/



Last Nights Camp report


The crews have got their mobiles out and been tracking lions and buffalo.
http://www.bbc.co.uk/bigcat/­fieldreports/

 
A mobile snapshot from one of this mornings updates

Big Cat Live is coming to BBC1 on Sunday (in the UK) and every night next week.
http://www.bbc.co.uk/programmes/b00dyv47/comingup