This isn't Natural History but if you work in TV you'll probably have had similar things happen to you!
Showing posts with label NatureWatch. Show all posts
Showing posts with label NatureWatch. Show all posts
4.10.10
Horizon: The Death of the Oceans?
Monday 4 October, 21:00, BBC 2
Sir David Attenborough reveals the findings of one of the most ambitious scientific studies of our time - an investigation into what is happening to our oceans. He looks at whether it is too late to save their remarkable biodiversity.
Horizon travels from the cold waters of the North Atlantic to the tropical waters of the Great Barrier Reef to meet the scientists who are transforming our understanding of this unique habitat. Attenborough explores some of the ways in which we are affecting marine life - from over-fishing to the acidification of sea water.
The film also uncovers the disturbing story of how shipping noise is deafening whales and dolphins, affecting their survival in the future.
Image: BBC
Producer/Director – Peter Oxley
Editor – Aidan Laverty
For further details visit the BBC website
Timeshift: When Britain Went Wild
9pm, Tuesday 5th October BBC4
Documentary which explores the untold story of how Britain 'went wild' in the 1960s. It shows how the British people fell in love with animals and how, by the end of the decade, wildlife protection had become an intrinsic part of our culture. Before that time people knew very little about endangered species or the natural world - the very word 'environment' was hardly recognised. But the 1960s saw a sea change.
The film discovers how early television wildlife programmes with David Attenborough, writers such as Gerald Durrell and Gavin Maxwell and pioneers of conservation such as Peter Scott contributed to that transformation.
See clips on the BBC Website
Another great resource is the WildHistory website.
Producer: Sally Thomson Series Producer: Ben Southwell Executive Producer: Michael Poole.
1.10.10
The World's Biggest Cattle - my close encounter with Indian Gaur
Re-posted from The Iron Ammonite, 1st October 2010
The Gaur is the largest species of wild cattle in the world, bigger than the African buffalo, the extinct aurochs, wild water buffalo or bison. Only Rhinos, Hippos and Elephants grown larger than these incredible animals. The males can weigh as much as 1.5 tonnes.
While traveling in South India in 2009 a farmer told us about a herd of Gaur that was casually chomping their way through a selection of farms and gardens. We watched them for over an hour as they munched and clambered through the vegetation. They were so preoccupied with feeding that they didn't seem to care who or what was nearby - and why should they. One female in particular seemed very relaxed in my presence so I was confident that I could get fairly close without alarming or spooking her. It was a real pleasure to feel the breath of this wondrous animal on my face before she finally sauntered off and disappeared into the forest.
Wild Gaur can be very dangerous animals and I wouldn't usually get this close - especially if they are with a calf or if it's breeding season, and I certainly would never attempt to get this close to one of those powerful males. By all accounts they can be quite moody!
The Gaur is the largest species of wild cattle in the world, bigger than the African buffalo, the extinct aurochs, wild water buffalo or bison. Only Rhinos, Hippos and Elephants grown larger than these incredible animals. The males can weigh as much as 1.5 tonnes.
While traveling in South India in 2009 a farmer told us about a herd of Gaur that was casually chomping their way through a selection of farms and gardens. We watched them for over an hour as they munched and clambered through the vegetation. They were so preoccupied with feeding that they didn't seem to care who or what was nearby - and why should they. One female in particular seemed very relaxed in my presence so I was confident that I could get fairly close without alarming or spooking her. It was a real pleasure to feel the breath of this wondrous animal on my face before she finally sauntered off and disappeared into the forest.
Wild Gaur can be very dangerous animals and I wouldn't usually get this close - especially if they are with a calf or if it's breeding season, and I certainly would never attempt to get this close to one of those powerful males. By all accounts they can be quite moody!
Get the flash player here: http://www.adobe.com/flashplayer
30.9.10
Lily the Black Bear (from The Natural World Bearwalkers)
Loving the ongoing saga of Lily and her family, who you may have seen on Natural World earlier this year.
You can keep up to date with her and join over 100k other fans of Lily and her daughter Hope on Facebook.
29.9.10
Getting started in Wildlife TV - Have you thought about Wildscreen?
'One thing for sure is that, whatever the path, it’s up to the individual and their dogged persistence combined with undying passion that will get them through the bumpy, muddy, arduous jungle road that is the path towards becoming a wildlife photographer or filmmaker.' - Sandesh Kadur Felis Blog
Other than being dogged and persistent, another top tip is to attend the Wildscreen international film festival.
What is Wildscreen?
This biannual festival is the Mecca for Wildlife Filmmakers, internationally acknowledged as the most influential and prestigious event of its kind in the world. The aim of Wildscreen is to celebrate, applaud and encourage excellence, and responsibility, in wildlife and environmental filmmaking - films which increase the global viewing public's understanding of the natural world, and the need to conserve it.
By attending wildscreen you'll get a real flavour for the wildlife filmmaking industry and see what's hot and what's not for those who are commissioning programmes or hiring new talent. You'll hear behind the scenes stories from producers and presenters, cameramen and editors and discover what it takes to make a top natural history film. Most importantly you'll meet people who can inspire and help you on your way. And as Sandesh says it will 'help fuel the passion and jump-start your career in wildlife TV' - it certainly did that for me when I was seeking my break in the industry almost 10 years ago and It's been a top event in my calendar ever since.
If you're fresh from university then you'll probably find the festival a bit on the expensive side - about 600pounds to register as a full delegate. The budget option is to become a festival volunteer, or apply for a reduced rate as a newcomer. If you've just produced your first wildlife film then enter it for the highly prized newcomers award - a real springboard to success.
The Workshops
The workshops are really worth attending as you'll get hands on with cutting edge technology and learn from the experts - everything from highspeed filming and 3D cameras to workshops about how to be a wildlife TV researcher. This year I'll be running one entitled 'Breaking out of the Box' about how to produce content for a web audience.
The Awards
The highlight of the festival for me is always the Gala Panda Awards Ceremony. Wildscreen is a competition as well as a Festival and this is the night when the award winners will be announced. The stakes are high as the awards have established themselves as the Green Oscars, and the posh black-tie do certainly has an air of hollywood glitz about it. This year it will be hosted by Kate Silverton and Benedict Allen.
I'll be there in anticipation of one of my series winning an accolade. 'Life' is up for a whole range of awards, and 'How Earth Made Us' is in the running for the Earth Science Award, as well as best series.
Good luck
- Paul
Other than being dogged and persistent, another top tip is to attend the Wildscreen international film festival.
What is Wildscreen?
This biannual festival is the Mecca for Wildlife Filmmakers, internationally acknowledged as the most influential and prestigious event of its kind in the world. The aim of Wildscreen is to celebrate, applaud and encourage excellence, and responsibility, in wildlife and environmental filmmaking - films which increase the global viewing public's understanding of the natural world, and the need to conserve it.
By attending wildscreen you'll get a real flavour for the wildlife filmmaking industry and see what's hot and what's not for those who are commissioning programmes or hiring new talent. You'll hear behind the scenes stories from producers and presenters, cameramen and editors and discover what it takes to make a top natural history film. Most importantly you'll meet people who can inspire and help you on your way. And as Sandesh says it will 'help fuel the passion and jump-start your career in wildlife TV' - it certainly did that for me when I was seeking my break in the industry almost 10 years ago and It's been a top event in my calendar ever since.
If you're fresh from university then you'll probably find the festival a bit on the expensive side - about 600pounds to register as a full delegate. The budget option is to become a festival volunteer, or apply for a reduced rate as a newcomer. If you've just produced your first wildlife film then enter it for the highly prized newcomers award - a real springboard to success.
The Workshops
The workshops are really worth attending as you'll get hands on with cutting edge technology and learn from the experts - everything from highspeed filming and 3D cameras to workshops about how to be a wildlife TV researcher. This year I'll be running one entitled 'Breaking out of the Box' about how to produce content for a web audience.
The Awards
The highlight of the festival for me is always the Gala Panda Awards Ceremony. Wildscreen is a competition as well as a Festival and this is the night when the award winners will be announced. The stakes are high as the awards have established themselves as the Green Oscars, and the posh black-tie do certainly has an air of hollywood glitz about it. This year it will be hosted by Kate Silverton and Benedict Allen.
I'll be there in anticipation of one of my series winning an accolade. 'Life' is up for a whole range of awards, and 'How Earth Made Us' is in the running for the Earth Science Award, as well as best series.
It was an honour at the 2008 Panda Awards, when we won the Golden Panda for 'Life in Cold Blood'.
For handy tips and advice on starting a career in wildlife television get your hands on a copy of the book by Piers Warren titled: Careers in Wildlife Filmmaking.Good luck
- Paul
27.9.10
Filming Tigers - a BBC Insight
Tigers are a real hot topic for the BBC Natural History Unit, especially with the current success of 'Lost Land of the Tiger' a BBC expedition that discovered a lost population living in the remote Bhutan Mountains (Earth News). Having tracked Tigers myself to film (Poo, Pee & Pugmarks) I know just how difficult it is to catch even a glimpse of this fascinating feline! But here is an exclusive insight into the BBC's perspective on the thrill and frustration of filming tigers in the wild. From BBC Wildlife Finder.
- Paul
http://www.bbc.co.uk/nature/species/tiger#p00b6wzf
- Paul
http://www.bbc.co.uk/nature/species/tiger#p00b6wzf
23.9.10
Faking it? Wildlife filmmaker Chris Palmer publishes 'Shooting in the Wild' to reveal all
The following is an edited excerpt from an article by Daniel de Vise published in the Washington Post, Wednesday, September 22, 2010
Read the full article here
Environmental Film Maker, Chris Palmer 63, has written a confessional for an entire industry. "Shooting in the Wild," published this year, exposes the unpleasant secrets of environmental filmmaking: manufactured sounds, staged fights, wild animals that aren't quite wild filmed in nature that isn't entirely natural. Nature documentaries "carry the promise of authenticity." Nature filmmakers profess to present animal life as it is lived, untouched by mankind. Yet human fingerprints are everywhere.
Nature is frequently boring. Wild animals prefer not to be seen
Palmer's book underscores the fundamental challenge of wildlife filmmaking: Nature is frequently boring. Wild animals prefer not to be seen."If you sit in the wild and watch wildlife, nothing happens for a very long time," said Maggie Burnette Stogner, an environmental filmmaker who works with Palmer on the American University faculty. "That's mostly what happens in wildlife."
Nature footage is hard-earned. A crew might spend six weeks in discomfort and tedium for a few moments of dramatic cinema. Certain shots -- animal births, or predators seizing prey -- are difficult to capture by chance. So some filmmakers set them up.
The lemmings that plunge to their deaths in the 1958 Disney documentary "White Wilderness" were hurled ingloriously to their doom by members of the crew, as a Canadian documentary revealed. Palmer writes that Marlin Perkins, host of television's "Wild Kingdom," was known to bait animals into combat and to film captive beasts deposited into the wild, and that the avian stars of the 2001 film "Winged Migration" were trained to fly around cameras.
"Sanctimonious smugness"
Erik Nelson, a prolific environmental filmmaker in Los Angeles, finds "a sort of sanctimonious smugness to his book that sets my teeth on edge." Nelson is a glancing target in Palmer's book; the author portrays Nelson's eight-part television series "The Grizzly Man Diaries" as "sensational" and lambastes the animal-attack genre that Nelson helped to create. Nelson, in turn, asserts that Palmer has seldom actually shot a nature film -- most of Palmer's credits have come in the comparatively detached role of executive producer. He terms Palmer's ethics crusade "a giant nothingburger of an issue." (Palmer says he has been "deeply involved" in all of his films.)
"If there is an ethical beacon that guides the wildlife channels, it is the quest for realism."
Programmers say they condone the use of captive animals as stand-ins for wildlife, and contrived meetings between species, as long as all involved are acting naturally and the viewer is seeing things that might actually happen in nature
Palmer disapproves. In his book, he proposes that every nature film might open with a disclaimer on the screen that says something like, "All the scenes in this film are real and not staged," or, more probably, "Some of the scenes depicted in this film were shot with tame, captive animals." Not likely, say industry colleagues. Who wants to watch a tame nature film?
Read the full article from the Washington Post here
22.9.10
Mother Elephant stands her ground - An Elephant Blockade
From www.ironammonite.com
An elephant mother stands her ground while we try to pass at BR Hills Nature Reserve, South India. I was filming with three very experienced Indian naturalists and they had never seen a tour-de-force of elephant stubbornness quite like this before...
Excerpt from my blog 16th July 2009:
"Only a few hours ago, whilst driving through the BR Hills reserve on the search for Tigers we encountered three elephants blocking our route. Two large females and a small calf. It was getting dark and we needed to pass. Rather than startle them we switched off the engine and waited... hopefully they would return to the forest and allow us to pass. But rather than oblige us they slowly moved in our direction, lazily browsing on the vegetation as they came closer and closer. They were either oblivious to our presence or considered us of no threat - we knew that this mutual understanding could all change in the blink of an eye. The tiny calf was sandwiched between the colossal flanks of the two adults and it seemed pretty carefree as it swung its trunk around, occasionally resting its head against the side of one of its guardians. It was a real privilege to see such intimacy. As they exchanged caresses, their trunks touching and stroking each other, they were gentle giants slowly plodding towards us. We were lost in the moment, observing this beautiful scene as these magnificent animals simply went about their daily lives." Read more.
Unfortunately this video contains no footage of the moment we were charged by the large female. We all froze and didn't record this terrifying moment. I did however manage to grab a single shot on my stills camera.
An elephant mother stands her ground while we try to pass at BR Hills Nature Reserve, South India. I was filming with three very experienced Indian naturalists and they had never seen a tour-de-force of elephant stubbornness quite like this before...
Excerpt from my blog 16th July 2009:
"Only a few hours ago, whilst driving through the BR Hills reserve on the search for Tigers we encountered three elephants blocking our route. Two large females and a small calf. It was getting dark and we needed to pass. Rather than startle them we switched off the engine and waited... hopefully they would return to the forest and allow us to pass. But rather than oblige us they slowly moved in our direction, lazily browsing on the vegetation as they came closer and closer. They were either oblivious to our presence or considered us of no threat - we knew that this mutual understanding could all change in the blink of an eye. The tiny calf was sandwiched between the colossal flanks of the two adults and it seemed pretty carefree as it swung its trunk around, occasionally resting its head against the side of one of its guardians. It was a real privilege to see such intimacy. As they exchanged caresses, their trunks touching and stroking each other, they were gentle giants slowly plodding towards us. We were lost in the moment, observing this beautiful scene as these magnificent animals simply went about their daily lives." Read more.
Unfortunately this video contains no footage of the moment we were charged by the large female. We all froze and didn't record this terrifying moment. I did however manage to grab a single shot on my stills camera.
21.9.10
Lost Land of the Tiger
This new BBC series follows a dramatic expedition searching for tigers hidden in the Himalayan Kingdom of Bhutan.With tigers heading for extinction, an international team of big cat experts and wildlife filmmakers are given unique access to the jungles and mountains of Bhutan for what could be the last chance to save this magnificent animal.
Explorer, Steve Backshall, is joined by sniffer dog, Bruiser; together they hunt for tigers through the dense forest undergrowth. High in the mountains, wildlife cameraman Gordon Buchanan drives himself to exhaustion tracking tigers that seem as elusive as the yeti. And in a jungle base camp, scientist George McGavin, organises a firefly disco whilst camerawoman, Justine Evans, is stuck at the top of a tree during a tropical lightning storm. For the final team member, big cat biologist Alan Rabinowitz, time to save the tiger is running out…he has incurable leukemia. Alan bugs the forest with remote cameras to capture whatever secretive creatures are lurking there, but ultimately he needs to find tigers if his ambitious plan to protect them across the Himalayas is to succeed.
We follow the expedition every emotional step of the way as they strive to find evidence that could help to bring wild tigers back from the brink of extinction and safeguard their future.
Explorer, Steve Backshall, is joined by sniffer dog, Bruiser; together they hunt for tigers through the dense forest undergrowth. High in the mountains, wildlife cameraman Gordon Buchanan drives himself to exhaustion tracking tigers that seem as elusive as the yeti. And in a jungle base camp, scientist George McGavin, organises a firefly disco whilst camerawoman, Justine Evans, is stuck at the top of a tree during a tropical lightning storm. For the final team member, big cat biologist Alan Rabinowitz, time to save the tiger is running out…he has incurable leukemia. Alan bugs the forest with remote cameras to capture whatever secretive creatures are lurking there, but ultimately he needs to find tigers if his ambitious plan to protect them across the Himalayas is to succeed.
We follow the expedition every emotional step of the way as they strive to find evidence that could help to bring wild tigers back from the brink of extinction and safeguard their future.
16.9.10
Filming the Dragons of a Schwingmoor Bog
From www.ironammonite.com
By Paul Williams, Assistant Producer, Animals Guide to Britain
With thanks to Mel Brown of Natural England & Claire Install of the British Dragonfly Society.
One of the most enchanting emblems of the British summer is the dragonfly, and we are lucky to have 25 resident breeding species, and 9 who occasionally pop over from Europe when the weather is good. One of the top spots to see these is the peculiar landscape of a Shwingmoor bog, hidden deep in the heart of Staffordshire. Local mythology speaks of water beasts dragging people to their death, but the real reason this reserve is out of bounds for the casual visitor is hidden beneath a gentle carpet of carnivorous plants, cranberries, cowberries and bilberries. This is Chartley Moss, and what makes it a Shwingmoor is that you can literally walk on water - or more accurately on a 3 metre layer of saturated peat and Sphagnum which floats on top of a 15 metre deep lake. Here 23 species of dragonflies have been recorded including some of the rarest in Britain. I recently visited Chartley Moss to film dragonflies for 'Animals Guide to Britain'.
The Lost World Beneath
Laden with tripods and heavy cases, we cautiously stepped onto the bog, every step creating a ripple and a squelch. I stopped to rest and immediately my feet started to sink into the quagmire. As I began to move away my boot decided that it wanted to stay a little longer - it had been only five minutes and already my welly had succumbed to the beast. We were heading towards the centre, where the peat was at its thinnest and where two large pools puncture the spongey layer to offer a glimpse into the lost world beneath. It is here that we were most likely to find dragonflies as the watery underworld is their true domain. It is the dragonfly nymph who lives here, and this aquatic period of a dragonfly's life dictates when and where the adults are to be found. Nymphs of different species prefer different watery habitats, from sheltered woodland pools to slow flowing rivers and canals. Chartley Moss is particularly famous as the most southern site of the White-faced Darter. Its nymph is critically dependant on lowland acidic peat bogs - 95% of which have been lost in the past 40 years, leaving only a handful of sites for this dainty dragonfly to cling to.
The Creature Breaks Free
Lurking in the muddy bottom of a pond it can take nymphs up to five years to realise that there's more to life that sucking on tadpole juice, and they start to leave the comfort of the water. This is the moment that we had come to film. As we arrived, with soggy feet, a small army of nymphs of the Common Hawker were making the epic journey up the reeds which lined the pools. We watched as their spindly legs strenuously pulled them out of the water, driven by an urge that goes back 320 million years to the earliest dragonflies. We could see the determination as they fell off, only to repeat the climb in a bid to feel the warm morning sun. Then the intimate moment of transformation as they settled into position and froze. The skin cracked and opened. Two iridescent green eyes peered out from within as slowly the head of an adult pushed its way out of the nymph capsule. In just a few minutes the subaqua suit had been shed to reveal a new creature resplendent in dragonfly finery.
Sex Fuelled Crescendo
Under the boggy water they had propelled themselves by jet power, squirting water from their backsides, but as we filmed, their green wings slowly opened and inflated until eventually they took to the air as a squadron of dynamic highly agile flying machines. They had reached the sex-fuelled crescendo of a life lived under the water and now their airborne mission was to locate a mate and lay eggs back into the water. Live fast, die young, they would have only a few months in which to accomplish their mission. We had achieved ours in just a few hours.
Chartley Moss is privately owned and leased to English Nature. It is a very fragile and extremely hazardous site. Access is by permit only.
For more information:
Natural England
BBC Breathing Places
'Animals Guide to Britain' presented by Chris Packham will be broadcast on BBC2 in April 2011.
By Paul Williams, Assistant Producer, Animals Guide to Britain
With thanks to Mel Brown of Natural England & Claire Install of the British Dragonfly Society.
One of the most enchanting emblems of the British summer is the dragonfly, and we are lucky to have 25 resident breeding species, and 9 who occasionally pop over from Europe when the weather is good. One of the top spots to see these is the peculiar landscape of a Shwingmoor bog, hidden deep in the heart of Staffordshire. Local mythology speaks of water beasts dragging people to their death, but the real reason this reserve is out of bounds for the casual visitor is hidden beneath a gentle carpet of carnivorous plants, cranberries, cowberries and bilberries. This is Chartley Moss, and what makes it a Shwingmoor is that you can literally walk on water - or more accurately on a 3 metre layer of saturated peat and Sphagnum which floats on top of a 15 metre deep lake. Here 23 species of dragonflies have been recorded including some of the rarest in Britain. I recently visited Chartley Moss to film dragonflies for 'Animals Guide to Britain'.
Chartley Moss, a Shwingmoor Bog in Staffordshire
The Lost World Beneath
Laden with tripods and heavy cases, we cautiously stepped onto the bog, every step creating a ripple and a squelch. I stopped to rest and immediately my feet started to sink into the quagmire. As I began to move away my boot decided that it wanted to stay a little longer - it had been only five minutes and already my welly had succumbed to the beast. We were heading towards the centre, where the peat was at its thinnest and where two large pools puncture the spongey layer to offer a glimpse into the lost world beneath. It is here that we were most likely to find dragonflies as the watery underworld is their true domain. It is the dragonfly nymph who lives here, and this aquatic period of a dragonfly's life dictates when and where the adults are to be found. Nymphs of different species prefer different watery habitats, from sheltered woodland pools to slow flowing rivers and canals. Chartley Moss is particularly famous as the most southern site of the White-faced Darter. Its nymph is critically dependant on lowland acidic peat bogs - 95% of which have been lost in the past 40 years, leaving only a handful of sites for this dainty dragonfly to cling to.
The rare White-Faced Darter
The Creature Breaks Free
Lurking in the muddy bottom of a pond it can take nymphs up to five years to realise that there's more to life that sucking on tadpole juice, and they start to leave the comfort of the water. This is the moment that we had come to film. As we arrived, with soggy feet, a small army of nymphs of the Common Hawker were making the epic journey up the reeds which lined the pools. We watched as their spindly legs strenuously pulled them out of the water, driven by an urge that goes back 320 million years to the earliest dragonflies. We could see the determination as they fell off, only to repeat the climb in a bid to feel the warm morning sun. Then the intimate moment of transformation as they settled into position and froze. The skin cracked and opened. Two iridescent green eyes peered out from within as slowly the head of an adult pushed its way out of the nymph capsule. In just a few minutes the subaqua suit had been shed to reveal a new creature resplendent in dragonfly finery.
Common Hawker emerging from its Nymph
Sex Fuelled Crescendo
Under the boggy water they had propelled themselves by jet power, squirting water from their backsides, but as we filmed, their green wings slowly opened and inflated until eventually they took to the air as a squadron of dynamic highly agile flying machines. They had reached the sex-fuelled crescendo of a life lived under the water and now their airborne mission was to locate a mate and lay eggs back into the water. Live fast, die young, they would have only a few months in which to accomplish their mission. We had achieved ours in just a few hours.
Common Hawker preparing for its first flight
Chartley Moss is privately owned and leased to English Nature. It is a very fragile and extremely hazardous site. Access is by permit only.
For more information:
Natural England
BBC Breathing Places
'Animals Guide to Britain' presented by Chris Packham will be broadcast on BBC2 in April 2011.
Get the flash player here: http://www.adobe.com/flashplayer
3.9.10
Mountain Gorilla - Safe in Our Hands
Sunday September 5th, 8pm, BBC2
Patrick Stewart narrates a three-part series on the world's last mountain gorillas.This edition follows the plight of some of the youngest and most vulnerable of the mountain gorilla population. Includes the two young orphans whose mothers were callously murdered in execution style killings, the young female battling with new emotions, and the new gorilla king struggling to keep hold of the group he fought so hard to win.
Discover how they cope in this exploration of what the future holds for the remaining last few hundred mountain gorillas. BBC
Can silverback Rano hold on to the group he fought so hard to win? This final programme looks to see what the future holds for the last remaining Mountain Gorillas.
Patrick Stewart narrates a three-part series on the world's last mountain gorillas.This edition follows the plight of some of the youngest and most vulnerable of the mountain gorilla population. Includes the two young orphans whose mothers were callously murdered in execution style killings, the young female battling with new emotions, and the new gorilla king struggling to keep hold of the group he fought so hard to win.
Discover how they cope in this exploration of what the future holds for the remaining last few hundred mountain gorillas. BBC
Can silverback Rano hold on to the group he fought so hard to win? This final programme looks to see what the future holds for the last remaining Mountain Gorillas.
24.8.10
Night of the Lion
Starts Nat Geo Wild, 13th September, 2010
Pierce through the darkness and encounter a hidden world previously unseen by human eyes in the premiere of Night of the Lion.
It is only once the sun has gone down beyond the horizon that the deadly lion truly comes to life, using scent and sound to stalk and kill its prey. But this night-time hunting routine has always been virtually impossible to capture on film - until now.
With the aid of new light-enhancing, heat-seeking technology, see how the starlight camera transforms pitch-black wilderness into an array of vibrant colours. Observe lions and their prey in crystal-clear detail as our team, at long last, gets the chance to properly study these untamed predators during their most active period. This film demonstrates not only how groundbreaking equipment can revolutionise wildlife programme making, but also the terrifying precision of the hunting lion after dark.
Pierce through the darkness and encounter a hidden world previously unseen by human eyes in the premiere of Night of the Lion.
It is only once the sun has gone down beyond the horizon that the deadly lion truly comes to life, using scent and sound to stalk and kill its prey. But this night-time hunting routine has always been virtually impossible to capture on film - until now.With the aid of new light-enhancing, heat-seeking technology, see how the starlight camera transforms pitch-black wilderness into an array of vibrant colours. Observe lions and their prey in crystal-clear detail as our team, at long last, gets the chance to properly study these untamed predators during their most active period. This film demonstrates not only how groundbreaking equipment can revolutionise wildlife programme making, but also the terrifying precision of the hunting lion after dark.
20.8.10
Mountain Gorilla
Sunday August 22nd, 8pm
Patrick Stewart narrates the story of the world's last mountain gorillas, protected by a dedicated band of humans who watch and care for them.
View preview clips and read about the individual Gorillas on the BBC website.
Patrick Stewart narrates the story of the world's last mountain gorillas, protected by a dedicated band of humans who watch and care for them.
View preview clips and read about the individual Gorillas on the BBC website.
19.8.10
Natural World: The Himalayas
8 pm, BBC 2, 19th August 2010 &;
7:30 pm, BBC HD, 20th August 2010
The wildlife of the most stunning mountain range in the world, home to Snow leopards, Himalayan wolves and Tibetan bears. Snow leopards stalk their prey among the highest peaks. Concealed by snowfall, the chase is watched by Golden Eagles circling above. On the harsh plains of the Tibetan plateau live extraordinary bears and square-faced foxes hunting small rodents to survive. In this world of extremes, the Himalayas reveal not only snow-capped mountains and fascinating animals but also a vital lifeline for humanity.
Producer: Mark Fletcher
Series Producer: Steve Greenwood
Series Editor: Tim Martin
www.bbc.co.uk/naturalworld
7:30 pm, BBC HD, 20th August 2010
(photo copyright BBC http://www.bbc.co.uk/programmes/b00tj7j)
The wildlife of the most stunning mountain range in the world, home to Snow leopards, Himalayan wolves and Tibetan bears. Snow leopards stalk their prey among the highest peaks. Concealed by snowfall, the chase is watched by Golden Eagles circling above. On the harsh plains of the Tibetan plateau live extraordinary bears and square-faced foxes hunting small rodents to survive. In this world of extremes, the Himalayas reveal not only snow-capped mountains and fascinating animals but also a vital lifeline for humanity.
Producer: Mark Fletcher
Series Producer: Steve Greenwood
Series Editor: Tim Martin
www.bbc.co.uk/naturalworld
10.8.10
Natural World: Sea Otters - A Million Dollar Baby
BBC2, Thursday 12th August 2010
The trials and tribulations of a sea otter pup growing up on the coast of California.
The Californian sea otter is one of the rarest, and possibly cutest animals in the world. So when a sea otter mum decides to have her pup amongst the yachts of a millionaires' marina, it is a unique event. The mum must teach her baby how to dodge the boats and find the food in this busy harbour. However, the arrival of a tough male sea otter signals disaster for the family. When mum is attacked, the poor pup is left on her own and must fight for survival.
Sea Otter mothers are very protective of their pups and rarely let them out of their sight. Here the mother enjoys a rare peaceful moment when the pup falls asleep on her belly (Copyright: BBC).
The trials and tribulations of a sea otter pup growing up on the coast of California.
The Californian sea otter is one of the rarest, and possibly cutest animals in the world. So when a sea otter mum decides to have her pup amongst the yachts of a millionaires' marina, it is a unique event. The mum must teach her baby how to dodge the boats and find the food in this busy harbour. However, the arrival of a tough male sea otter signals disaster for the family. When mum is attacked, the poor pup is left on her own and must fight for survival.
1.8.10
Natural World: Echo an Unforgettable Elephant
BBC2, Thursday 5th August at 8.00pm.
A celebration of the life and legacy of Echo, the world's most famous elephant, who was born in 1945 and died in 2009, and who Natural World followed for the last 20 years of her life.
The timing of Echo's death could not be worse. The wise old matriarch had guided her family for half a century but the cruellest drought in living memory devastated her home under the shadow of Kilimanjaro. Will her 38-strong band of relatives and descendants overcome the loss of their leader, hunger and poachers to survive?
Presented by David Attenborough, editor Matt Meech, director Mike Birkhead and filmed by Martyn Colbeck. I wrote the music and Kate Gould is the solo cellist. Part of the BBC Natural World strand, series editor Tim Martin.
Echo on Wildlife Finder
Following on from the 4 stunning Natural Worlds filmed over the years of Echo's life - Wildlife Finder have launched a whole new section. They've collated clips from all the programmes so you can now watch the best bits of Echo's personal story http://www.bbc.co.uk/nature/characters/37
A celebration of the life and legacy of Echo, the world's most famous elephant, who was born in 1945 and died in 2009, and who Natural World followed for the last 20 years of her life.
The timing of Echo's death could not be worse. The wise old matriarch had guided her family for half a century but the cruellest drought in living memory devastated her home under the shadow of Kilimanjaro. Will her 38-strong band of relatives and descendants overcome the loss of their leader, hunger and poachers to survive?
Presented by David Attenborough, editor Matt Meech, director Mike Birkhead and filmed by Martyn Colbeck. I wrote the music and Kate Gould is the solo cellist. Part of the BBC Natural World strand, series editor Tim Martin.
Echo on Wildlife Finder
Following on from the 4 stunning Natural Worlds filmed over the years of Echo's life - Wildlife Finder have launched a whole new section. They've collated clips from all the programmes so you can now watch the best bits of Echo's personal story http://www.bbc.co.uk/nature/characters/37
9.7.10
Unbroken Thread: Singing Attenborough, Sagan & Goodall
I was so excited when I saw this that I just had to post it. A truly wonderful, legendary, inspiring piece of work - it's also pretty hilarious!
8.7.10
The Natural World: The Monkey Eating Eagle of the Orinoco
7 pm, BBC 2, 8th July 2010
The Harpy Eagle is the most powerful bird of prey in the world, plucking monkeys from the branches of the jungle canopy. Rare and elusive they are seldom seen but with the discovery of a Harpy nest in the remote Orinoco rainforest of Venezuela , wildlife film-maker Fergus Beeley has a unique opportunity to follow the life of a chick from birth to adulthood . Fergus ascends high into the canopy revealing a stunning world of colour and sound, and follows the trials of the harpy eagle's newly hatched chick as it grows up. Fergus becomes just another member of the dazzling community of birds and animals surrounding the harpy nest and develops an unexpectedly close bond with the harpy chick.
http://www.bbc.co.uk/programmes/b00t1vvd
Producers: Fergus Beeley & Dr. Adrian Seymour
Series Editor: Tim Martin
copyright: BBC
The Harpy Eagle is the most powerful bird of prey in the world, plucking monkeys from the branches of the jungle canopy. Rare and elusive they are seldom seen but with the discovery of a Harpy nest in the remote Orinoco rainforest of Venezuela , wildlife film-maker Fergus Beeley has a unique opportunity to follow the life of a chick from birth to adulthood . Fergus ascends high into the canopy revealing a stunning world of colour and sound, and follows the trials of the harpy eagle's newly hatched chick as it grows up. Fergus becomes just another member of the dazzling community of birds and animals surrounding the harpy nest and develops an unexpectedly close bond with the harpy chick.
http://www.bbc.co.uk/programmes/b00t1vvd
Producers: Fergus Beeley & Dr. Adrian Seymour
Series Editor: Tim Martin
Deadly 60 series 2
Don't miss this new series of Deadly 60. Bicep throbbing Steve Backshall kicks of series 2 by taking to the water in Mexico in search of a deep-sea creature, before embarking on a quest to find the biggest wasp in the world.
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