20.2.07

Five Ways to Save the World

19th Feb, 9:00pm - 10:00pm, BBC2
1.4 Million, 5.8% Audience Share

RadioTimes: The five ways of the title are a series of silver-bullet solutions to the global-warming menace devised by brainstorming scientists. They are jaw-dropping in scale and amount to considerably more than just recycling your empty pinot grigio bottles. The problem is that the statistics are so mind-crushingly huge they are next to impossible to assimilate. For instance, one scientist's suggestion for a giant sunshade a million miles from Earth would involve 800,000 separate trips into space to assemble a thing that's 100,000km wide and made of 16 trillion glass discs. Other solutions include artificial trees (inspired by a school experiment by the scientist's daughter), giant plankton, a sulphur blanket and cloud cover. Who knows whether any are actually feasible. But all the experts are agreed: the global-warming nettle should be grasped now, while still manageable. Says one: "We need a panic button to stop the damage."

1.2.07

Making of 'Southern Right Whales of Argentina'

Jan 17, 2007 Written by Chris Johnson for www.whaletrackers.com

The Making of “Southern Right Whales of Argentina”

Before filming or taking pictures of wildlife, it is important to do your research thoroughly, know the right seasons to go, and talk to the right people who are the experts in the field.

In 2005, Genevieve and I went to Argentina for the first time as tourists to see southern right whales. After spending some time there, this gave us the idea of doing film. Luckily, we met the some of the researcher studying the whales in the area and spent time observing different types of behaviors we could document. Over the next few months, we spent time figuring out how we could actually do it. Many films have been made about the unique wildlife of Peninsula Valdes, but we wanted to do something different - focus on the next generation Argentine researchers working to make a difference.

Peninsula Valdes, Argentina is a unique place. Southern right whales return each year to give birth, mate and rest in Golfo San Jose and Golfo Nuevo, before making the long migration back to feeding areas in the Southern Ocean. This occurs between the months of July and November. We chose to return the following year from early September to the end of October - the peak season for whale abundance.

When the tide is just right, in some places on the Peninsula, right whales come very close to shore with their calves.
This allows you to view, photograph and film whales sometimes only 10 meters away while standing on the beach. Also, filming and photographing from high above on the cliffs offers a truly spectacular view of the animals and their habitat, while spending time on the local whale watch boats affords its own brand of wonderfully diverse encounters - (see Genevieve’s
account of whale watching in Peninsula Valdes.

However, there is a downside to filming outdoors. As there is in all environments, Patagonia is exceptionally windy, dry and dusty. Sometimes the wind picks up and will not let up for days on end. Then, without warning, there is a window of opportunity when the wind unexpectedly shifts, and drops. What is predictable about the weather in Peninsula Valdes is that it is unpredictable. You have to be prepared to wait and be ready for just the right moment to film.

When you are trying to film whales in such challenging conditions, you have to wait for the right weather, but also the right light - all of this while hoping that you will be in the right place at the right time. A lot of it is luck. But, I believe you make you own luck by being out with the animals in their environment for as much time as possible - all without disturbing them.

From our previous experiences in Patagonia, and many long conversations with researchers, we created a shot list of behaviors that we wanted to capture from different perspectives. Because we were producing an educational documentary film about the ecology of southern right whales, we wanted to try to film as many behaviors as possible while documenting the scientific research being conducted.

In our list, we identified four areas from where we could obtain footage of southern right whales.

  • film from the cliffs - where researchers would observe them from.
  • film from the beach - outside of the research camp.
  • film with the researchers from a zodiac
  • film underwater

From this we created a plan. We had many meetings with researchers to try to work with their schedule to film in these areas, and to talk about the shots we needed to put together a great documentary.

When working with scientists while they are researching, it can be difficult to achieve a balance. Scientist are funded for a different purpose than what you are funded for. They have to conduct their research, and get results. That is what they are ‘in the field’ to do and often they are working in very challenging conditions themselves.
So while being patient with the animals is important, communicating with researchers is key to making things work for everyone while sometimes just not getting in the way. Planning, is essential, and an acceptance that you may not get everything you need when you want it, and to be ready when the opportunity arises, is vital. Patience is the key to making wildlife documentaries. A sense of humor also helps make it enjoyable for everyone around!

When it actually came time to film, we spent many, many hours in our rental car, driving 45 minutes back and forth between the research camp and where we stayed in the tiny town of Puerto Piramides. Often we saw the weather change in an hour, dropping to an acceptable sea state that meant we could go out on a zodiac to film, but then the light would be wrong, or it would be overcast with gray clouds, or the whales would be lying inactive at the surface resting. Peninsula Valdes is an important place for southern right whales to rest, so we filmed hours and hours of footage of resting whales!

For more from Chris visit www.whaletrackers.com

Wild Caribbean: Life's a breeze

(BBC2, 9pm)
Between June and November every year, the West Indies take combination punches from mother nature -15 hurricanes hammered into the islands in the very bad year of 2005. This third film reveals that the reefs, as well as the land, feel the brunt, with lobsters skittering off to deeper waters when they sense the adverse weather approaching, leaving the coral to cling on for dear life. Devastation is invariably followed by regeneration, but is global warming upping the ante?
The Sunday Times - 28/01/2007

Wild Caribbean: Hurricane Hell

BBC 2 9pm
1.8 million, 7.4% Audience Share

Prepare for terrifying footage of what happens when 'Caribbean heaven turns to Hurricane Hell'. After all the sundrenched earlier episodes this programme is a sobering reminder of what can happen in the West Indies during the notorious hurricane season (June-November) when the waves can reach 20 metres and the winds blow at up to 160mph.
From The Observer - 28/01/2007
Mike Bradley

26.1.07

Affordable and quick alternative to cherry-picker…

If you need a filming tower than have you thought of the cheaper alternative? - a tri-pod that can reach 50 feet (15 metres) high. It was designed for stills work but it can take anything up to and including a Z1. Remote pan and tilt head.

You can see the sort of angles it gets at: elevatedimage.co.uk

DIY Timeslice with a few home camcorders!

My colleague Nikki Stew has been looking into filming TimeSlice for our current series "Life in Cold Blood". Timeslice is a cool method used to freeze time as used in the Matrix and in the John Downer Natural History series - Weird Nature, its usually a BIG BUDGET job but Nikki may have stumbled across a DIY method of creating a cheaper one...

Timeslice was developed in large part by a Bath based company: Timeslice Films and you can view from examples on their website.

Bullet-time at Home
You don't need a million-dollar budget to create this cool effect. While it may not look quite like the big-dollar effects you are used to seeing on television, you can pull off a nifty looking effect with a little ingenuity.

To start, set up several camcorders in a semicircle, point them at a central subject and roll tape on all of them simultaneously (see Figure 1). While the cameras roll take a flash photograph of your subject as he jumps into the air. Next import a few seconds of footage from each camcorder to your nonlinear editor and identify the same frame on each tape using the camera's flash as an indicator. Export each frame as a still and then re-import them, placing them on the editing timeline in sequence. Stretch each still frame to three or four frames to extend the duration of the effect. Because there are 30 frames in every second of video, a shoot using 10 camcorders to produce 10 stills, each set to three frames on your timeline, would result in a one-second effect.

To make the effect more fluid you'll need some morphing software. Michel Gondry used this technique to great effect in his excellent music video Like a Rolling Stone in 1995. Basically, there just wasn't enough money in the budget for a multi-camera rig, so he opted to use the morphing trick. You should try it too! Elastic Reality is a perfect choice for this, but other programs are available. Basically, you're going to morph each shot into the next by correlating similar objects in the two images.

When you play your project back, you should get an excellent bullet-time shot, usually with a little artistic warping thrown in to boot.

http://www.videomaker.com/article/8238/

DIY Timeslice with a few home camcorders!

My colleague Nikki Stew has been looking into filming TimeSlice for our current series "Life in Cold Blood". Timeslice is a cool method used to freeze time as used in the Matrix and in the John Downer Natural History series - Weird Nature, its usually a BIG BUDGET job but Nikki may have stumbled across a DIY method of creating a cheaper one...

Timeslice was developed in large part by a Bath based company: Timeslice Films and you can view from examples on their website.

Bullet-time at Home
You don't need a million-dollar budget to create this cool effect. While it may not look quite like the big-dollar effects you are used to seeing on television, you can pull off a nifty looking effect with a little ingenuity.

To start, set up several camcorders in a semicircle, point them at a central subject and roll tape on all of them simultaneously (see Figure 1). While the cameras roll take a flash photograph of your subject as he jumps into the air. Next import a few seconds of footage from each camcorder to your nonlinear editor and identify the same frame on each tape using the camera's flash as an indicator. Export each frame as a still and then re-import them, placing them on the editing timeline in sequence. Stretch each still frame to three or four frames to extend the duration of the effect. Because there are 30 frames in every second of video, a shoot using 10 camcorders to produce 10 stills, each set to three frames on your timeline, would result in a one-second effect.

To make the effect more fluid you'll need some morphing software. Michel Gondry used this technique to great effect in his excellent music video Like a Rolling Stone in 1995. Basically, there just wasn't enough money in the budget for a multi-camera rig, so he opted to use the morphing trick. You should try it too! Elastic Reality is a perfect choice for this, but other programs are available. Basically, you're going to morph each shot into the next by correlating similar objects in the two images.

When you play your project back, you should get an excellent bullet-time shot, usually with a little artistic warping thrown in to boot.

http://www.videomaker.com/article/8238/

Safari School

BBC 2 6pm, 22/01/07
(1.7million, 8.4% Audience Share)

Anila Baig on what to watch tonight - From The Sun - 22/01/2007
BEST REALITY: Safari School (BBC2, 6pm). Jan Leeming must have been bitten by the reality show bug after I'm A Celeb because now she's thrown herself into Safari School, spending four weeks in a South African game reserve with fellow stars. The four men and four women learn how to be rangers -with evictions every week.

BBC Press Release:
Safari School sees eight celebrities undertake a gruelling, four-week ranger-training course at Shamwari Game Reserve in South Africa.

The four men and four women set to be our intrepid Safari School Trainees are former EastEnders actress Brooke Kinsella, actors Jeremy Sheffield (Holby City, Wedding Date), Paul Usher (Brookside, The Bill) and Blair McDonough (Neighbours, The Vegemite Tales), Fame Academy vocal coach Carrie Grant, Claire King (Emmerdale and Bad Girls), Olympic athlete Jamie Baulch and broadcaster Jan Leeming.

The rookie rangers will live together in a rustic lodge in the heart of the African bush, and train from dawn to dusk under the guidance of a crack team of instructors.

In the wild and unforgiving African landscape, the novices will try and learn in four weeks skills that take professional rangers years to master.

Approaching lions and elephants on foot, getting hands-on with white rhino and buffalo, analysing every kind of animal dung, joining the anti-poaching patrol - it's all in a day's work for the celebrity trainees…

Top TV animal expert Dr Charlotte Uhlenbroek (Talking With Animals) presents the celebrities' trials, tribulations and triumphs as they compete to keep their place at Safari School.

Every day, the instructors set the group a series of uncompromising tests to assess their ranger potential, and at the end of each week the two worst trainees face a head-to-head challenge to remain in Africa.

The winner keeps their place at Safari School, and the loser has to pack their bags and fly home.

The climax of the series sees the two best trainees compete in the Safari School Grand Final – each facing the daunting solo challenge of taking a group of top conservationists on a game drive, with the conservationists judging who has learned most in four weeks of training and delivered the most convincing performance as a ranger.

For the winner, the title of Safari School's Top Trainee and a unique prize: to release, with their own hands, the first rescued big cats into a safe new home in the African bush - the brand new Born Free enclosure at Shamwari Game Reserve.

25.1.07

Bill Oddie Back In the USA 2/6

BBC 2 Thursday 18th Jan, 8:30pm, (2.2 million, 9.1% audience share), Repeated Tuesday 23rd Jan (1.7 million, 7.6% Audience Share)

From The Times - 18/01/2007, David Chater:
Oddie continues his grand tour of the States, 43 years after visiting with his fellow Cambridge graduates John Cleese and Tim Brooke Taylor. Tonight, we witness the bearded one head to Florida, where he paddles a kayak through 'gator-filled swampland and befriends an armadillo. Watching him don flippers and snorkel to share a moment with a family of manatees is one of the evening's more curious sights.

24.1.07

Wild Caribbean: Reefs and Wrecks

BBC 2, Tues 23rd Jan, 9pm
1.8 million, 7.1% Audience Share

From The Sunday Times - 21/01/2007,
To call it a scrap yard is going too far, but there is a surprising amount of rusting and encrusted metal down there among the coral, snappers and angel fish of Davy Jones's locker. Shipwrecks you might expect, but an aeroplane might come as a bit of a surprise. Otherwise there is a pleasingly soporific quality to this second episode as the narrator, Steve Toussaint, describes the colourful creatures swimming languidly in the warm and limpid waters of the Caribbean reefs.
Just go with the flow.